“You let your children run wild and didn’t teach them anything; and in short, you have so far refined your education that now you have none.”
Successful businessman, artist and writer: it’s no wonder he never found time to trim his beard.
In News From Nowhere the narrator goes forward in time to a world in which social injustice has been overcome, imperialism, commercialism and industrialism have given way to small communities of interdependent workers living in a non-heirarchical society of equals. Written at the end of the nineteenth-century by the father figure of the Arts and Crafts Movement, William Morris, it allows us to appreciate the intellectual tradition that fed into Neill’s creation, Summerhill.
In Morris’s Utopian future children learn from the adults around them. School is represented as an archaic institution that is no longer necessary:
“‘the struggle for life’ as man used to phrase it (i.e. the struggle for a slave’s rations on one side and for a booming share of the slave-holder’s privilege on the other) pinched education into a niggardly dole of not very accurate information. something to be swallowed by the beginner in the art of living whether he liked it or not, and which had been chewed and digested over and over again by people who didn’t care about it in order to serve it out to other people who didn’t care about it.”
This is Hammond, the writer’s guide in the future, looking back from the perfect future on the idiocies of the past. It is a pretty fair description of our education systems today, isn’t it? “A niggardly dole of not very accurate information” in a transaction between two apathetic parties seems to be a pretty fair description of many schools I have been in.
In Morris’s future children learn from the adults around them. They spend a lot of time in the countryside, camping and walking in nature. They pick up crafts, such as thatching, for example, because they are interested in the work that goes on around them. They learn to read by the age of four without needing to go to school. They learn languages because they have to communicate with other people and, since in this imaginary future linguistic chauvinism has vanished, those languages include Welsh and Irish as well as French and German.
Modern day anarchist communities are about as close as we come to Morris’s ideal
Morris built his own house and designed and made all the furniture in it. The practice of his life was anti-industrial. He valued the hand-crafted object above the mass-produced replica. He also acknowledged that there was a price tag on this and that it was worth paying. He would recognise modern day hippy parents who shop for organic vegetables, make their own clothes, recognise the ethical problems of mass production and search out Fair Trade produce whenever they can as his spiritual heirs. Although Morris ran a highly-successful design business in London, he did not set himself apart as the “artist/genius”, but wanted a kind of art that was rooted in craft and accessible to the common man. It is the aesthetics and economics of the local. It tends towards the handmade. It is the reverse of Ikea.
Neill was also a strong proponent of practical activity for children: learning in the world, not learning about the world. The workshop was, and continues to be, the heart of Summerhill life. The role of teachers on the other hand was always more problematic. Of course students wanted to learn conventional subjects in order to get on with their lives after Summerhill, but one gets the sensation that in a better world this awful requirement would be lifted. This is the world that News From Nowhere describes:
William Morris made some beautiful designs. It is ironic, given his lefty leanings, that they are now sold on biscuit tins to middle class matrons in the Victoria and Albert Museum shop.
“The whole theory of this so-called education was that it was necessary to shove a little information into a child, even if it were by means of torture, and accompanied by twaddle which it was well known was of no use, or else he would lack information lifelong: the hurry of poverty forbade anything else. All that is past; we are no longer hurried, and the information lies ready to each one’s hand when his own inclinations impel him to seek it. In this as is in other matters we have become wealthy: we can afford to give ourselves time to grow.”
It is tempting to read Utopian writers and check off the things that they “got right”. There is no question that Morris’s ideas of small interconnected communities of self-sufficient individuals sharing their wealth and knowledge has not come to pass. His vision of a diminished London in which the razing of the slums allows the country to enter the city is charming, provocative and seductive, and he would no doubt be horrified by the “triumphs” of modern technology: more roads, airports, commerce and high rise buildings. We can’t say that he was wrong just yet as environmental catastrophe might still lead us his way, but it is clear that Progress does not lead in one direction only.
The ills that he imagines a wiser future eradicating have deep roots and freely propagate themselves: poverty, injustice, stultifying education, state-sponsored ugliness, war, intolerance. We are still the victims of the idea that if you do not “shove a little information into a child” it will be lost forever. It is a frighteningly pessimistic view of human growth and development, isn’t it? Are we still pressured by the “hurry of poverty”?
On the other hand we could say that now more than ever “information lies ready to each one’s hand when his own inclinations impel him to seek it.” This should make a difference to the way we educate our children, but it doesn’t. I think the problem is school. School as an organisational mechanism is something that Hammond jokes about:
“‘School?’ he said; ‘yes, what do you mean by that word? I don’t see how it can have anything to do with children. We talk, indeed, of a school of herring, and a school of painting and in the former sense we might talk of a school of children- but otherwise,’ said he, laughing, ‘I must own myself beaten.'”
The problem with school is something that Neill deals with systematically in his project for Summerhill. It
William Morris was inspired by an imagined sense of what medieval craftsmen might have lived.
evolves over the years and is always in touch with the spirit of the times, but the root of it seems to be here. School as an institution perpetuates systemic authoritarianism. It takes away the creative life-force of children and replaces it with something that is not worth having. It sets up a series of gateways to knowledge with gatekeepers who earn their salary by giving access to that knowledge. We accept this story even in a society where information increasingly does lie ready to each one’s hand.
Let’s imagine a school where this is not the case. Would you imagine a Summerhill?